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Solo Exhibitions
2007 |
The English Series, Art First, London |
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A Short History of Dutch Painting, Part II, Metis-NL, Amsterdam |
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Classic Japanese Movies, Taguchi Fine Art, Tokyo |
2005 |
Bookpainting, Fiera del Libro dArte, Palazzo del Re, Bologna |
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VIRUS, Taguchi Fine Art, Tokyo |
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A Short History of Dutch Art, Metis_NL, Amsterdam |
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Rossa, Spazia, Bologna |
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Reading Room,with Maria Chevska, MOCA Peckham and Peckham Library, London |
2004 |
A Short History of Modern Japanese Fiction (in translation), Taguchi Fine Art, Tokyo |
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Solo Presentation, MiArt, Milan (Percy Miller Gallery) |
2003 |
Post Card, Percy Miller Gallery, London |
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The Life of Things, 3 Degrees West Gallery, Wordsworth Trust, Grasmere (Artist-in-Residence exhibition) |
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The Unfortunate Tourist of Helvellyn and his Faithful Dog, 3 Degrees West Gallery, Wordsworth Trust |
2002 |
Italian Holiday, Zero arte contemporanea, Piacenza, Italy |
2000/1 |
The Collected Works of George Orwell, and Other Paintings, Percy Miller Gallery, London |
Selected Group Exhibitions
2006 |
Les Mots pour le faire, with Yves Chaudouet and Maria Chevska, Musée Romain Rolland, Clamecy, France |
2005 |
A Picture of Britain, Tate Britain, London |
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Ex Roma, Abbey Award Winners’ Exhibition, APT Gallery, London |
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Lost and Found in Translation, Newlyn Art Gallery, Newlyn, Cornwall |
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Art is a Word, Benefit exhibition for the Museums of Israel, Christies, London |
2004 |
Melt, British School in Rome |
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Gallery Artists, Taguchi Fine Art, Tokyo Compass, Sala 1, Rome |
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Ancoats Hospital: After L. S. Lowry, Nunnery Gallery, London |
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The Book Show, The Wordsworth Trust, Grasmere, Cumbria |
2003 |
The Book Show, curator/exhibitor, Nunnery Gallery, London |
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A . . . parole, Cortili di Casa Sanna-Meloni, Berchidda, Sardinia, as part of Del Segno, Del Suona e della Parola, PAV |
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The Unfortunate Tourist of Helvellyn and his Faithful Dog, (exhibition conception, design, and contribution) The Wordsworth Trust, Grasmere, Cumbria |
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The Cover Theory, Ex-Centrale Electrica, Piacenza, Italy (curated by Mario Sinaldi) |
2002 |
Sumptuous, Ex Macelli Pubblici, Prato, Italy (curated by Palazzo delle Papesse Centro dArte Contemporanea, Siena) |
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LUltima Cena, Castello delOvo, Napoli, Italy (curated by Massimo Sgroi) |
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Fluent: Painting and Words, Camberwell Art School Gallery, London |
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Red Spy, Fortezza della Brunella, Aulla, Italy |
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La Forma delle Forme, Villa Braghieri-Castel, Modena, Italy |
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New Religious Art, Henry Peacock Gallery, London |
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The Open, Liverpool Biennial, Liverpool |
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Bibliomania, edited by Simon Morris, Printed Matter, New York |
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Fabric, Abbott Hall, Kendal |
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Private Views, London Print Studio, Herbert Read Gallery, KIAD, Canterbury |
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showhouse, PM House and Gallery, London |
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East Wing No. 5, Courtauld Institute, London |
2001 |
Artmart, 291 Gallery, London |
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EAST International, Norwich (selected by Mary Kelly and Peter Wollen) |
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Wax, auction in aid of Cancer Research |
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Closer Still, Southern Arts Touring Show: Winchester School of Art and Artsway, Sway |
2000 |
9,8m/s2, Zero arte contemporanea, Piacenza, Italy |
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Art Futures, Contemporary Art Society, Barbican, London |
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Occupation Studios Fund Raiser, Platform Gallery, London |
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The Wreck of Hope, The Nunnery Gallery, London, (artist/co-curator) |
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Chora, Abbot Hall, Kendal, South Hill Park, Bracknell; Hotbath Gallery, Bath |
1999 |
Chora, 30 Underwood Street Gallery, London (artist/co-curator) |
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Six Young British Artists, Gallerie Axel Thieme, Darmstadt, Germany |
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The Discerning Eye, invited by Charlotte Mullins, Mall Gallery, London |
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Hub, curated by Above/Below, Bishopsgate, London |
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Ninenineninetynine, Anthony Wilkinson Gallery, London |
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Wunderkammer, 13 Laburnum Lodge, London |
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After Jackson Pollock, Sali Gia Gallery, London (artist/curator) |
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Networking, P-House, Tokyo, Japan |
1998 |
A State of Affairs, Arthur R. Rose, London |
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Cluster Bomb, Morrison-Judd Gallery, London |
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The Bible of Networking, Sali Gia Gallery, London |
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Souvenirs, curated by Above/Below, Museum Street, London |
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